TABLE OF CONTENTS

CHAPTER 6/PART 2  INDUSTRIALIZATION OF THE CINEMA IN FRANCE

LE CINÉMA DE L’ATTRACTION

A Cinema of Short-Term Sensorial Stimulation

Figure 6.13: The Cinéorama

The System for Presenting Spectacle

Figure 6.14: Literature as Spectacle
Figure 6.15: The Greatest Story Ever Told in Tableaux

Pathécolor: The Process Au Pochoir

Figure 6.16: Industrialized Color

The Color of Dance; or, The Gendered Genre

Figure 6.17: Publicity as Spectacle

A Cinema of Tableaux and Intertitles

The Technological Ingenuity of Spectacle: Ali Baba et les quarante voleurs

Figure 6.18: The Fairy Tale Spectacle (I)

The Effect and Logic of Frame Changes: Aladin ou la lampe merveilleuse

Figure 6.19: The Fairy Tale Spectacle (II)
Figure 6.20: Allegorizing the Spectacle
Figure 6.21: The Pan Shot as Spectacle

REFERENCES

Reading 6.2: In Theory: “A Riot of the Carnivalesque”

Figure R6.6: A Penchant for Diabolical Mischief
Figure R6.7: Shuffling Gender and Class
Figure R6.8: The Magic of Pandering
Figure R6.9: The Conjurer as Deity
Figure R6.10: A Woman's Prerogative

Reading 6.3: In Theory: “Stupefying Evidence of This Is How It Was

Figure R6.11: Attending to Photographed Objects

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